Andrew Mark Sauerwein
COMPOSING, TEACHING, WONDERING, EXPLORING...
I AM the Resurrection and the Life
A short meditation on death and life, after John 11:25.
A Fanfare. A doxology, actually, both introit and benediction.
violin, piano, mixed percussion.
A tribute to the life and legacy of Russian physicist Andrei Sakharov. Commissioned by Scott Eddlemon for the Oak Ridge Civic Music Society's Isotone concert series.
Concert version of music commissioned by Bob Hubbard at Northwestern College of Iowa as incidental music for T. M. Camp's adaptation of The Odyssey.
Mostly St. Columba
Soprano, flute, cello.
Commissioned for the dedication of the Thea G. Korver Art Building at Northwestern College of Iowa. The soprano begins and ends with a traditional Irish tune, but temporarily shifts to a more strident melody.
Meditation on a Mystery
Beach Spring Sketch
flute, oboe, bassoon, piano.
This is a somewhat adventurous arrangement of the tune from the hymn "Come all Christians, be committed...."
String Quartet #2
In three movements.
This three-movement work sports vivid contrasts, dry humor, brooding dismay, longing, hope and transformation.
O Waly Waly
flute (alt. violin), oboe, piano.
This setting was commissioned by Dave Stuntz, music director at Blacknall Memorial Presbyterian Church. It has found its way into worship services, weddings, college chapel services, and even a musical mission trip to Peru.
Sextet (Contemporary Obsolescence)
flute, trumpet, bassoon, cello, piano, harpsichord.
This piece begins with four themes at once, developing each in turn (more or less) and introducing an additional baroque-like theme which later returns with romantic vengeance.
Faith and Reason.
flute, clarinet, violin, viola, piano, percussion.
This piece presents the old hymn, "If thou but suffer God to guide thee," in the context of colorful, intellectual musical discourse, not seeking to answer a question as much as wonder about a relationship.
String Quartet (#1)
A short three-movement work given to abrupt thematic contrasts and a blend of tonal and post-tonal impulses. This piece won the University of Oregon Chamber Music Series competition and was premiered by the Alexander String Quartet in 1995.
Wind sextet, dancers.
In this piece, instrumentalists are widely-spaced on stage to allow for dancers to move around them. During the piece, the players individually move closer together, causing the dancers to expand their movements outward. Margo van Ummerson provided choreography (see also For Margo).
Sonata for Tuba and Piano.
Three movements, with allusions to a lumbering elephant, a plaintive jazz solo, and a cat-and-mouse chase.